That’s quite a shocker having been the iPhone Savior myself for just short of two years. Now this guy shows up! Once Oprah elbowed her way in, I guess seeing Jesus on Twitter was inevitable.

It turns out that my own personal iPhone Jesus, now a devout follower of mine, joined Twitter just a day earlier on April 24. His Bio is simple, it reads; “I’m Jesus. I use an iPhone. It’s pretty cool.” He must have enjoyed the whole “Jesus Phone” thing.

jesus with iphone

iPhone Jesus is already following over 1,400 people including the likes of Jimmy Fallon, Alyssa Milano, Lily Allen and The Office on NBC. The wild thing is that Jesus has some 850 Twitter faithful following him in less than a day. I’ve been on Twitter a month and I have only 115 followers.

One of my favorite tweets from Jesus is this one; “Today, I was sitting in heaven, really craving a smoothie. So… if anyone says they saw Jesus at the Smoothie Factory…they were right.”

And his most recent tweet, a response to one user creeped out by Jesus following him, “I’m kind of scared that he’s following me…” Theang said, to which iPhone Jesus responded;

“Don’t be scared, my child, I will only bless you and keep you safe. And retweet your interesting links.”

This proves it… you never know when or where Jesus will show up. How will you respond when iPhone Jesus starts following you? “Block” is always an option. This would be a perfect place to say; “follow me”, but I won’t!

This was written by some guy on a random website and I thought it was hilarious!

Enjoy your weekend.

                      

Grand Canyon

Canyon

canyon

beach sunrise

sunset

europe cathedral

spider web

cinque terra

Yours Truly

Enjoy your weekend!

                      

This is a bit of entertainment for the weekend, hope you are having a good weekend and enjoying your time before the market opens again.

If anybody needs help learning how to trade, I am the guy to go to. See what my subscribers are saying. I am willing and able for a small fee to show you how to trade and consult for hours on the phone as I do with all my subscribers and clients. Please sign up for the free alerts and purchase the course. It will blow your mind as it was written by a hedgefund trader and myself.

This week I will be putting on a few short positions. MIC and HIG will be my top two short picks, as they seem to be breaking down and have hit resistance lately.

What is a short sale you may ask? (To profit from a decrease in the price of a security, a short seller can borrow the security and sell it, expecting that it will be cheaper to repurchase in the future. When the seller decides that the time is right (or when the lender recalls the securities), the seller buys equivalent securities and returns them to the lender.)

This is a great way of showing how short sales in securities work.

How Shorts Work

If you have any questions please email me at ben4trials@gmail.com.

MIC fading

HIG Short Bearish Flag, short on spike.

I will be shorting these stocks on any spikes and the ones that I also mentioned in my email to my subscribers.

Here is another bit of entertainment. Herschel Walker (47) is now cage fighting after being out of the NFL. He is in great shape for someone of his age. Not only that, he was on the celebrity apprentice and had a great time there. I like this guys lifestyle lol.

Herschel Walker Cage Fighter

Until next time;

HAPPY TRADING!

the C² Trading Team

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Subject: please forward to family

Hi were okay. We’ve been trying to help almost non-stop since the quake and haven’t had any access to internet we’ll write more as soon as we can. We are okay and staying for at least a little longer if we can be of help doing relief work. It’s been very intense and we are in shock. This place is insane. We’ve been taking people to the embassy and are staying with a group of MCCers here and if we feel unsafe we’ll evacuate. We love you all very much and we’ll keep in touch as best as possible, love, Ben and Alexis

Remember any purchases today will be contributed 70% of profits to my friend Ben Depp.

Ben Brinneman

                      

When the technicians come on duty, they like to swing the turret around and watch the couples having sex in the park.

* * * * *

“Essentially,” said the inventor, “it’s a machine to turn off the sun…..”

“Bullcrap!” said the five-star general who was overseeing the demonstration for the Army, his eyes invisible behind his mirrored shades..

The inventor shrugged, and threw the switch.

Enjoy!

                      

The Lockheed U2 is an amazing plane, developed to spy enemy countries by the CIA and the United States Air Force. Flying at 70,000 feet, the U2 can fly day or night, rain or sun, photographing ground facilities on very short notice, something that satellites can’t do. It was created in the 50s, flying for the first time in 1955, and despite some being shot down over the Soviet Union, Cuba, and China, the fleet is still in use today. In fact, the successful design outlasted the SR-71 and the secret A-12 CIA spy plane, and will keep flying till 2014 or even later. [Wikipedia]

                      

Please check out this awesome short film and realize that the glories can reign down on anybody at anytime, BUT the first thing is tons and tons of hard-work! You can either read the blog first or watch this amazing short film.

A few weeks ago, a movie industry pal tipped me off to an especially cool new YouTube short by an obscure filmmaker from Uruguay. “Watch it,” he said. “This guy is going to be a big star.”

I’ve been around long enough to know that people in Hollywood make those kind of pronouncements all the time — and they’re usually 90% hyperbole. But this time my friend was right on the money. In Hollywood, an industry obsessed with discovering the Next Big Thing, often opportunity doesn’t just knock — it will beat down the door.

When Federico “Fede” Alvarez came to Hollywood two weeks ago, he was a total unknown. But in a matter of days after arriving in Los Angeles, the young Uruguayan filmmaker had the kind of amazing movie deal that would seem far-fetched, even by “Entourage” standards.

After seeing his short film, which depicts an invasion of Montevideo by a battalion of giant robots, Mandate Pictures agreed to bankroll a $30-million upcoming film for Alvarez, with the filmmaker getting a cool $1 million director’s fee. Alvarez also made the rounds of the talent agencies and ended up leaving town with a CAA agent team as well as a deal with Anonymous Content to represent him for commercials. Most important, Alvarez also came away with an A-list Hollywood godfather, “Spider-Man” director Sam Raimi, who will serve as a mentor and producer, through his Ghost House Pictures, on Alvarez’s first American film.

ET-Fede The whirlwind Hollywood courtship of Alvarez, who runs a successful post-production visual effects house in Uruguay, is yet another striking example of the bottom-up democratization of today’s movie business. Although many of its critics, especially political conservatives, enjoy portraying Hollywood as a bastion of elitism, it’s actually the opposite, a business with a boundless enthusiasm for fresh new talent. When talent brokers spy a promising new filmmaker, especially one who works in the most commercial of all genres – -the special-effects alien invader genre — they are quick to woo him and shower him with riches.

Until now, young filmmakers were discovered at film school or at film festival screenings. Today, the fastest way to spread the news is on the Internet. It’s telling that many of the young agents and producers who were first spreading the buzz about Alvarez discovered “Panic Attack!” on — of all places — Kanye West’s blog, where the rap star had been touting the short film.

But Alvarez’s sudden ascension also speaks volumes about a continuing power shift in the movie business. What’s especially noteworthy about the flurry of interest in the filmmaker is that it unfolded almost entirely outside the studio system. Alvarez didn’t bother to meet with any top studio executives, in large part because today’s creatively cautious studios, who’ve been spending much of their energy reining in talent costs, are increasingly out of the loop when it comes to discovering new talent. If young filmmakers want to find funding for adventuresome projects, they are far more likely to look for support from today’s aggressive talent agencies, managers and independent producers.

It’s hardly a coincidence that Mandate was the company to make the most aggressive offer for Alvarez. The small indie production company, founded in 2005 by Joe Drake and Nathan Kahane, has become a magnet for creative talent, having landed a string of hot new scripts — most notably Diablo Cody’s “Juno” — as well as helping produce a series of successful films including “Juno” and “Nick and Norah’s Infinite Playlist” as well as “The Grudge” and “Harold and Kumar” franchises.”

Hollywood is based on a web of working relationships among people scouring the globe for new talent. Mandate’s Kahane, for example, has worked frequently with Roy Lee, a savvy producer-entrepreneur who has built a business out of acquiring the U.S. remake rights to Asian thrillers, resulting in such commercial Hollywood projects as “The Ring,” “The Grudge” and “The Departed,” which won an Oscar for best picture. Lee had partnered with Mandate on “The Grudge.” He has also been involved in Mandate’s efforts to mount a Hollywood remake of “Oldboy,” a hit Korean thriller with a big cult fanboy reputation.

Lee always seems to have an inside track on new filmmakers from other cultures. So it hardly came as a surprise that when Alvarez arrived in Los Angeles, Lee was one of the first people he met. In fact, Alvarez was with Lee when Kahane bumped into the two men before a screening a couple of weeks ago. After Kahane saw Alvarez’s short, he moved quickly, essentially making an offer that was so lucrative that Alvarez saw no reason to shop himself around on the studio circuit. In fact, it hardly makes sense for a filmmaker to take studio meetings at a time when a number of cash-crunched studios, most notably Sony and Universal, have publicly acknowledged that they have stopped making new development deals until after the first of the year.

Of course, it helped that Mandate, which is partnered with Ghost House Pictures, was able to put Alvarez on the phone with Raimi, whom Alvarez viewed as the prototypical Hollywood filmmaker who had retained his ability to make films that were both personal as well as commercial. The Raimi-Alvarez relationship is clearly modeled on a similar arrangement that happened on “District 9,” a surprise, independently produced hit from this summer where Peter Jackson served as a producer-mentor for the young South African filmmaker Neill Blomkamp.

Alvarez found himself at the center of an equally heated feeding frenzy when he made the rounds at the top talent agencies. But the easy winner was CAA, which was able to offer a crack team of agents, led by Todd Feldman and Stuart Manashil, who impressed Alvarez with their strategic ability and experience working with internationally based filmmakers. Though CAA operates on a team basis, Feldman and Manashil have a clear hand in the careers of such top directors as “300’s” Zack Snyder, “The Dark Knight’s” Chris Nolan and “The Hangover’s” Todd Phillips. (Raimi is also a CAA client, which clearly didn’t hurt either.)

Alvarez has what insiders say is a compelling original story that will serve as the basis for his film with Mandate. Once he finishes coming up with a three-act structure for the story, Mandate plans to hire a screenwriter to work on a final script. It may be a couple of years before we know whether Alvarez is the real deal or not. But his overnight emergence is another fascinating example of how Hollywood has gone viral. When a filmmaker arrives with a hot new idea or a striking new short film, it doesn’t take long for word to spread far and wide.

Have a look at “Panic Attack!” and see what all the fuss is about:

Blog posted by Tim Ferris.